Thursday, November 27, 2008
At Maxwell Street: Chicago’s Historic Marketplace Recalled in Words and Photographs
verité documentary, At Maxwell Street, into a book. We had just published Water Tanks of Chicago: A Vanishing Urban Legacy, by Larry W Green, and that book was striking a chord with people who had never noticed these aging wooden behemoths in their midst. Tom, like Larry, was a graduate of the School of the Art Institute of Chicago. In fact, I had taken Tom’s filmmaking class during the summer of 1977 at SAIC, so we had known each other for 30 years. One of Tom’s most remarkable films is called Caligari’s Cure
(http://www.facets.org/asticat?function=buyitem&catname=facets&catnum=/207), and I actually had a bit part in that movie.
Tom’s concept for the book was to approach his friends and acquaintances and get them to write about their experiences of the old Maxwell Street marketplace. He got veteran arts journalist Jack Helbig to write the introduction, and Lori Grove of the Maxwell Street Foundation, and coauthor of Chicago's Maxwell Street (IL) (Images of America) to write the foreword. The other contributors are the eminent painter Robert Guinan, the Sun-Times critic Bill Stamets, local merchant and wonderful prose stylist Lionel Bottari, poet John Platt, local artist Linda Platt, and an oral history from old-timer Leland “Sugar” Cain, Jr. A DVD of Tom’s original movie accompanies the book, along with a slide show of extra images with harmonica and guitar music, labeled Maxwell Street Blues by local musicians Little Jukela and Willie Poor Boy, recorded at Jimmy’s Woodlawn Tap in Hyde Park.
For those who are not familiar with it, Maxwell Street is an avenue that runs E/W two blocks south of Roosevelt Road (12th St) and is intersected by the Dan Ryan expressway leading into downtown Chicago. The open-air marketplace started there around the turn of the 20th century, and was active up until 2000, even though it was undergoing painful urban renewal in the last 10 years of its existence. It is now under the auspices of the University of Illinois at Chicago (UIC) and is called University Village. The city kept moving the marketplace, and it got smaller and more insignificant with each displacement. I’m not sure exactly where it’s located now, but it was in the news this past week because the city was considering raising the vendor fees for selling at the marketplace, and people thought that would spell its ultimate demise.
The market on Maxwell Street was a unique and colorful place, where shoppers could get just about anything extremely cheaply. It was a photographer’s paradise, and this is where Tom and his wife Marcia cut their teeth as artists in the mid 1960s. The book also includes amazing photographs by Tom’s friend and fellow SAIC classmate, the painter Bernard Beckman. He has a keen interest in blues and gospel music, and there are many poignant photos in the book from Beckman of the street performers at Maxwell Street. The book as delayed because we kept adding and changing things right up to the last minute, even while the book was at press. We wanted the best book possible, and now that it’s finally published we feel like we accomplished putting together a great book.
Bob Sirott of WGN AM 720 radio called this book, “quite a nice little keepsake.” http://wgnradio.com/index.php?option=com_content&task=view&id=46757&Itemid=557 – I had a call yesterday from the painter Robert Guinan who loved the book, and lamented that there were no surviving pictures of Johnny Young, a pioneering blues artist who made Maxwell Street his main hangout, and who Guinan profiles in the book. Guinan told me he thought a book of this kind on Maxwell Street was long overdue. There are some good promotional things coming up for this book, an event at the Oak Park (IL) Public Library at 7 pm on December 18 where Tom and his wife Marcia will sign books and they will show the movie. Tom will appear on Ray Hanania’s Radio Chicagoland show WJJG AM 1530 on December 5 at 8:30 am. And, this is big, Tom will be live on WGN TV (channel 9 in Chicago, and nationally syndicated on cable TV) on the Midday News program on December 18 around 12:20 pm, where they will interview Tom about the book and show snippets from the movie.
Friday, November 21, 2008
Is the book business recession proof?
The book business, on the other hand, remains as quietly quirky as ever. In tough economic times, as publishers both large and small tighten their belts and rein in their advances to unknown authors who are not yet established with the reading public, one thing becomes abundantly clear: Commission reps, those feisty independent sales people who ply their trade in different territories throughout North America and beyond, offer incredibly good value for all publishers. Commission selling is fixed-cost. Commission reps pay their own expenses, including transportation, taxes, and insurance, and they only get paid when orders ship into their designated territory. Selling on commission is a time-honored practice, and if you take a look at the history of this noble profession you will see that it goes all the way back to eighteenth-century Europe as well as the North American colonies, where an intricate network of booksellers and travelers was established.
Independent reps bring more than good economics to the big table. Besides being resilient, cost effective, and an integral part of the operations of the book industry, independents can and often do freely speak their minds to good effect. This is an added value, and the self-directed rep can offer valuable advice to help publishers succeed in the marketplace. It's simple. If the publisher succeeds, the rep does, too. NAIPR reps are a talented bunch of folks, and in some cases have more than five decades of experience to draw upon. Because independent reps carry a mixed bag of publishers and go into a variety of accounts, this means they are flexible and can adapt to many situations. The durability of the relationship between publisher and independent rep counts for a lot as well: over time the rep develops into an expert on his publishers’ backlists, and the specific disciplines they publish. Booksellers rely on this breadth of knowledge in making their buying decisions. Everyone wins when you employ an independent rep.
So the answer to the question in the title of this piece is: YES! Publishers and booksellers can make good things and strong sales happen with a little help from their friends at NAIPR.
Saturday, October 11, 2008
Missouri to publish a new collection of stories by Rudolph Fisher
Rudolph Fisher was a great writer. He wrote short stories that depicted life in
Monday, September 29, 2008
Fall 2008 - Pick of the Lists
Fall 2008 - Pick of the Lists
Breaking the Spell of Binge-Eating Kortink, Paper, $18.95, ISBN 978-0-89733-577-5, October, Health/Self-Help, Academy
A runaway bestseller in Holand in 2006, this empowering book has now been translated from the Dutch. Kortink is a spiritual psychologist who has formulated a unique therapy for the effective treatment of binge-eating and an array of eating disorders.
Zamudio takes pictures of familiar and exotic neon signs throughout the city with a Diana, a toy camera made completely from plastic, including the lens. The photographs are striking images that will remind readers of a bygone era in an ever-changing urban environment.
Anatomy of a Trial: Public Loss, Lessons Learned from People Vs OJ Simpson Hayslett, Cloth, $29.95, November, History/Journalism,
A compelling insider’s account of the trial of the century: -- Hayslett was a media liaison who had unprecedented access during the trial. This is a page-turning narrative of the incredible events that took place in the courtroom.
The film version of The Last Temptation of Christ caused a storm of controversy when it appeared in 1988. Lindlof interviews all the principles involved in the release of the film, and shows how this key event became a tipping point in the ongoing culture wars. This is fascinating reading.
Intelligence Matters: CIA, FBI,
Senator Graham chaired the historic joint House-Senate inquiry into intelligence failures leading up to the 9/11 terrorist attacks. This book tells a riveting tale and is an unflinching exposé of breakdowns, incompetence, and deceit at the highest levels of government.
Charles Darwin: Concise Story of Extraordinary Man Berra, Cloth, $19.95, ISBN 978-0-8018-9104-5, November, Biography, Johns
2009 is the 200th anniversary of
Cook’s Journey: Slow Food in the Heartland Friese, Paper, $26.95, ISBN 978-1-8881603-6-9, September, Cooking/Travel, Ice Cube Press
Winter Sky: New and Selected Poems, 1968-2008 Barks, Cloth, $26.95, ISBN 978-0-8203-3237-6, November, Poetry, University of Georgia
Coleman Barks is well-known as the translator of 13th century mystical poet Jalal Al-Din Rumi. Barks has reached a devoted and inspired worldwide audience with his translations of Rumi’s work. Here is a luminous collection of over 400 pages of Bark’s own playful poetry.
Gallery Ghost: Find the Ghost Who Paints the Most Nilsen, Cloth, $17.95, ISBN 978-1-59960-036-9. August, Children’s/Art, Birdcage Press
Something spooky is happening at the museum. At night the ghosts of 24 famous artists come out to play. Published in association with National Gallery in
Waters of
80 duotone illustrations present
Friday, August 29, 2008
Pittsburgh to Publish a Panorama of 19th Century Printed Views of the City
2008 is the 250th anniversary of the founding of Pittsburgh in 1758. This book is a fitting tribute, and belongs on the shelf next to the classic book University of Pittsburgh Press published originally in 1990, Arthur G. Smith’s Pittsburgh Then and Now. Lane’s book is an instant classic as he provides visual and written examples of prints, and he has provided here the most comprehensive listing of depictions of Pittsburgh ever assembled.
Saturday, August 23, 2008
Prometheus Books to publish rare Mark Twain collection
Many of the essays in this book have not been readily available before, and Joshi provides helpful annotations to explain various historical, literary and religious references. The main essay in the book is What Is Man? (1906), a long philosophical dialogue about the nature of religion, where Twain asserts that altruism does not exist, that every human action is the product of outside influences, and we help others primarily as a means to make ourselves comfortable. Twain condemns religious exclusivity, the dreadful treatment of animals by a supposedly moral human race, and what he calls the hypocritical Christian thirst for money. Twain pulls no punches here, as he did in the posthumous collection of his writings, Letters from the Earth.
Although Twain maintained until the end of his life that he believed in God, he expressed a deep skepticism toward such religious beliefs as “special Providence” (God’s interference in the affairs of individuals), the concept of hell, the religious basis of morality, and the divine inspiration of the Bible. He had serious concerns about central religious tenants, and it’s clear that these weighed on his mind for much of his life. Twain’s family was uncomfortable with some of his writings (for instance, Letters from the Earth was not published until 1962, well after his death in 1910), and editor Joshi and Prometheus Books have done readers a great service by bringing Twain’s obscure but lively philosophical writings on religion to a wider audience.
There are many surprises to be had in any Twain collection, he was an undisputed master of many styles of writing, and Joshi provides a comprehensive introduction that elucidates Twain’s shifting attitudes towards religion in general. What we have here is a true American original, Mark Twain, thought by many to be the Father of American Literature, taking a straight aim at the multifarious claims of religion – metaphysical, moral and political – and exposing what he saw as their fallacies and deliberate obscurantism.
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Sunday, August 3, 2008
Tennessee revisits its Vernacular Architecture series with a powerhouse Victorian Studies book
French philosopher Michel Foucault is the author of Discipline & Punish: The Birth of the Prison, and the classic Power/Knowledge: Selected Interviews and Other Writings, 1972-1977, and his ideas are what informs Andrzejewski’s arguments. Foucault wrote extensively about the idea of ever-present gaze and control, and the kind of insidious power that “reaches into the very grain of individuals, touches their bodies and inserts itself into their actions and attitudes, their discourses, learning processes and everyday lives.” The argument is complex and way too multilayered to paraphrase here, to say nothing of the fact that it’s been translated from the French, but Foucault also goes back to English political philosopher Jeremy Bentham’s central idea of the Panopticon, that is, a building, as a prison, hospital, library, or the like, so arranged that all parts of the interior are visible from a single point.
Andrzejewski’s title and the very concept of Building Power is an interesting play on words, a reference to Foucault’s panoptic theory. Even so, she builds and expands on Foucault’s creative arguments and illustrates how diverse American spaces were built with close scrutiny in mind in Victorian America, and how this complicated landscape influenced all aspects of everyday life and the principles of modernism. The book is illustrated with 80 photographs, and, according to architectural historian Ken Breisch from the University of Southern California, Andrzejewski’s “comparative method is original and yields new insight into the widespread role of surveillance in American life.”